Sydney Camera Hire’s C-Stand 40″ with sliding leg & quick release, including grip and 40″ arm is a steel lighting support with 2 risers and 3 sections that extends to a maximum height of 313 cm.
Also included in the kit is one Grip Arm and one 2.5″ Grip Head, either black or silver as determined by the kit ordered.
Risers: 2
Sections: 3
Fixed Stand Adapter: 5/8 in (16 mm)
Closed Length: 132.5cm
Maximum Height: 313 cm
Footprint Diameter: 95cm
Weight: 9.1 kg
Maximum Load: 10 kg
Sydney Camera Hire’s rickshaw dolly is lightweight and portable, and is designed for use with 3-axis Camera Gimbal, Handheld, and Steadicam setups. It enables the camera operator to be pushed/pulled by a grip to capture complicated shots.
The hydraulic twin shock absorbers used on both sides of Rickshaw reduce shocks and provide stabilised shots, making it suitable for smooth or rough surfaces. The seat configuration allows you to have a long follow on the flat surface and then transition on to an uneven surface by stopping and having the operator walk away from the Rickshaw all in one continuous shoot.
The seated position also allows the operator to position the camera to reach floor level for ultra-low shots. The hydraulic seat offers 360-degree movement, height adjustment and four back & forth positions on the platform.
The main wheels feature 3 height adjustment points for adjusting ground clearance at 5” or 6” or 7” that allows the user to adapt the height corresponding to the rough and bumpy roads.
Telescopic Handle with length range from 32”- 54” allows ease of handling to the operator. The platform has 10mm threaded holes and free holes for mounting cheese plate or other accessories. The rickshaw supports 42mm speed rails to install a shock absorber arm with 3-Axis Gimbal.
You can also remove the seat, and mount a 50mm scaffold pole to the platform, to mount compatible gear.
Sydney Camera Hire’s Nanlite Pavotube II 30X Tube light kit will let your creativity run wild. The new model of Pavo tubes now encompass pixel control, giving creatives endless ways to light. Put a splash of colour onto a background, or light up your subject with a specific hue. The PavoTubes feature 0 to 100% dimming with a maximum illumination of 2850 lumens at 5600K, as well as a full spectrum RGB and pre-programmed special lighting effects. With the colour temperature adjustable from 2700K-12000K, a CRI of 98 and a TLCI of 95 this RGB LED tube exceeds most studio lighting needs.
It also features a choice of over 360 static light colours on the RGB spectrum and can cycle through the entire spectrum at a speed of your choice. Now with more advanced effect modes, the 30X has 15 in built practical effects and with the new pixel feature adds another 10 pixel effects to enhance your lighting and creativity.
With easy-to-use dials and buttons built into the light tube, as well as built-in 2.4GHz radio control, this RGB tube light is versatile enough to fit right into your existing set up without needing a lot of extra preparation.
The housing has been upgraded to a robust metal housing, giving more confidence with your lighting. New and improved LED display and soft buttons make the unit much easier to use.
Supplied in hard carrying case complete with all the accessories you need to get going, including mounting clips for adapting your light to a tripod or the wall.
Sydney Camera Hire’s Pavotube’s have octagonal ends, allowing it to be placed on the floor or a surface at a specific angle to give you maximum control over the throw of the lighting.
The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity. Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.
With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.
Interchangeable Shock Modules can be set up as 8,or 4 modules. These modules come in three strengths: light, standard and heavy duty.
These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.
Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.
Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.
Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2