“Nanlite PavoTube II 30X 4ft RGBWW LED Tube 8KIT” has been added to your cart. View cart
C-Stand Hire Sydney 40″ (Silver)
$20.00
Sydney Camera Hire’s C-Stand 40″ with sliding leg & quick release, including grip and 40″ arm is a steel lighting support with 2 risers and 3 sections that extends to a maximum height of 313 cm.
Also included in the kit is one Grip Arm and one 2.5″ Grip Head, either black or silver as determined by the kit ordered.
Risers: 2
Sections: 3
Fixed Stand Adapter: 5/8 in (16 mm)
Closed Length: 132.5cm
Maximum Height: 313 cm
Footprint Diameter: 95cm
Weight: 9.1 kg
Maximum Load: 10 kg
Sydney Camera Hire’s DJI Ronin RS3 is the update to the popular DJI Ronin RS2. It features a higher payload limit, improved handling and a raft of new accessories reach out to Sydney Camera Hire to rent the DJI Ronin RS3.
The DJI RS3 Pro Gimbal Stabiliser is sleeker and more powerful than the Ronin RS2 and weighs only 1.5kg. Capable of working with payloads up to 4.5 kg the RS3 can support and stabilise cameras like the RED Komodo-X, Sony FX6 or Canon C70.
The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity. Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.
With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.
Interchangeable Shock Modules can be set up as 8,or 4 modules. These modules come in three strengths: light, standard and heavy duty.
These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.
Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.
Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.
Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2
Sydney Camera Hire’s Master High Cine Stand features an all-steel construction with black powder coated finish. The high cine stand features a triple function universal head, the head features both a 28mm (1-1/8″) junior receiver and a 16mm (5/8″) baby receiver, plus a multi-direction 16mm (5/8) stud. It has a leveling leg that enables the user to extend one leg more than the others to level stand on an incline like stairs or uneven terrain. Whether you are mounting large HMI, green screen or a boom, this stand can safely support your lighting at full height due to its strength and large 140cm footprint diameter for great stability.
The NANLUX Dyno 650C from Sydney Camera Hire is a RGBWW LED softlight that brings film makers the ultimate blend of output and control.
Powerful and soft, with an ultra-wide beam angle, the super strong Dyno 650C some of the brightest LED softlights available, which are becoming hugely popular on American film and television sets.
Developed specifically for movie, TV,broadcast and media applications, these latest additions to the NANLUX range of professional LED solutions provide you with complete control and exceptional levels of consistent, quality light.
Fully tuneable between 2700K and 20000K (2649lux/5596lux@3m 5600K) the Dyno Series offers the one of the highest outputand widest colour temperature of any comparable LED softlight currently available. Using state of the art software and hardware, the Dyno 650C from Sydney Camera Hire provides precise colour and flicker-free, stable output.
Sydney Camera Hire’s Dyno 650C provides a correlated colour temperature range between 2700K and 20000K. Precision control over green/magenta to achieve accurate adjustment of the Duv. allows for detailed colour accuracy, allowing the user to perfectly match practical and other light sources.
The Dyno Series has a choice of four colour modes: HSI, RGBW, Gel and XY allowing film makers to to precisely control the mixing of hue, saturation and intensity, plus individual RGBW control over red, green, blue and white. Selection is simple using the built-in LED screen for reference.
Choose from 15 pre-programmed practical effects, all fully customizable and featuring a convenient ‘save and playback’ function.
ate adjustment of the Duv. allows for detailed colour accuracy, allowing the user to perfectly match practical and other light sourc