Designed in a single-handed form factor for DSLR and mirrorless cameras, the Ronin-S empowers creators to shoot with the freedom of stabilised shots on the move.
The Proaim gimbal vibration isolator is a shock absorbing system with a 5-50 kg heavy payload capacity. Equipped with a 3/8”-16 screw for mounting gear or accessories, the vibration isolator utilises strategically configured tension cables to support gimbals and absorb inertial movements.
With interchangeable shock modules the vibration isolator allows highly fine-tuning of different camera setup weights.
Interchangeable Shock Modules can be set up as 8,or 4 modules. These modules come in three strengths: light, standard and heavy duty.
These modules can also be combined with various strengths to achieve the exact payload displacement and stability you need.
Blue Light Duty: DSLR, smaller digital cinema cameras or hard-mounted camera without a gimbal.
Red Medium Duty/Standard: RED, Canon C300, heavy DSLRs with Cine primes with a gimbal-like a MoVI M5/M10/M15/Pro, Ronin/Ronin M/Ronin MX.
Black Heavy Duty: RED, Alexa Mini, Ursa Mini Pro, Phantom Flex, etc. package with cine zoom, heavy primes and a large gimbal like a MoVI XL or Ronin 2
Sydney Camera Hire’s Skater Dolly is the most sophisticated camera mounting platform available today. It is a rugged and portable dolly solution for filmmakers wanting a small footprint on set without sacrificing stability or safety.
The Skater Dolly is all about being on the go weighing only 15 kg, it is easy to carry and quick to setup. It is light enough for one person to handle and just easy enough to manoeuvre on the fly. It is constructed of high-grade aluminium for a more robust yet lightweight build; and supports loads of up to 70 kg.
Sydney Camera Hire’s Skater Dolly comes with 1.5″ speed rail/track, which can be configured into variable lengths of 4ft & 8ft. Compatible speed rail and end truss allows mounting the Dolly on Baby Feet, Long Legs, 5/8″ Pins, Tripod, C-Stand, Light Stand and various grip alternatives in seconds, allowing users to start filming in no time. The camera can be inverted for underslung tracking shots on 4ft track length.
The Dolly’s top mount may be quickly changed between 75mm, 100mm, 150mm Bowl or Mitchell Mount configurations to accommodate nearly any camera head type. 1/4″ -20 & 3/8″ -16 threaded holes on the rugged camera platform accommodates all industry-standard connections.
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